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The opening at least is straightforward. David B.’s cartoon alter-ego dreams he is in a bookshop looking at paperbacks. He stumbles upon two books, part of a series entitled Incidents in the Night, a collection of fantastic stories based on news snippets of the 19th and 20th centuries. But the set is incomplete: he picks up volumes two and three and then finds the 112th issue. Upon waking, David B. starts scouring the bookshops of Paris for copies, eventually landing in the bookshop of Mr. Lhôm, which he says functions “like an archaeological dig.”
Thus dream gives way to “reality,” but only briefly, as Mr. Lhôm’s bookshop is a fantastical place. One of David B.’s strategies as a cartoonist is to take a verbal image and illustrate it literally, rendering the commonplace weird, funny, mysterious, or jarringly alien.